Evento Wellmade
BIO

Martina Carcangiu and Fabrizio Felici are the founders and artistic directors of Mustras, a project born in Sardinia in 2019 as an open investigation into the theme of dwelling. She is a manager in the field of contemporary art, he an architect and designer; together they work within a collaborative framework that brings artists, designers, and architects into dialogue with artisans, fostering a continuous exchange between theory and practice.

At the core of Mustras lies the role of the artisan as the bearer of a profound form of knowledge, rooted in materials, territory and tradition, conceived not as a nostalgic repertoire, but as a language to be traversed and transformed. Objects emerge from a shared process that grants them a “third dimension”: not only functional, but also symbolic and narrative, capable of telling stories, relationships, and memories.

Drawing from Sardinia’s cultural and material heritage, Mustras builds bridges toward an open and contemporary vision, exploring forms of design practice that resist homogenization and reaffirm the cultural, ethical, and social value of making.

Oristano

CMA Cooperativa Maestri d’Arte

Design and material

At CMA in Oristano, the dialogue between design and material finds its fullest expression. As designers, we experienced a collaboration capable of ...

At CMA in Oristano, the dialogue between design and material finds its fullest expression. As designers, we experienced a collaboration capable of translating the drawing into a living form. Angela Regina Sonia Zoncheddu preserves, with poetic rigor, the tradition of the Brocca della Sposa; Antonello Atzori, with rare sensitivity and mastery, interprets each texture with precision, intelligence, and a deep attentiveness to the project.

Atzara

La Robbia

Textile and territory

With La Robbia, Maurizio Savoldo develops an exemplary body of work in the heart of the ...

With La Robbia, Maurizio Savoldo develops an exemplary body of work in the heart of the Mandrolisai. Through the study of plant-based materials and the gathering of oral histories, he has restored continuity to local dyeing practices that are increasingly rare. A cultural gesture even before a craft-based one, transforming textiles and yarns into sensitive testimonies of a territory and its history.